The video criticizes the above mentioned strategy of the Government that tries to cover up major political, social and ecological problems by providing the public with “beautiful” images and attractions.

14.07.2012

Mashtots Park 31.03.2012

The struggle  at the Mashtots park continues as vigorously as before. The activists demand that the police leave the area at once  but they refuse. The activists then attempt to capture the boutiques but encounter resistance.

Hovik Charkhchyan, Marine Petrosyan, Violet Grigoryan, Aram Pachyan and others talk about  Hovhannes Ishkhanyan’s book  entitled “Demob Day” and discuss the question of literary rights.

According to the self-determined citizens (co-claimants), the City Hall of Yerevan (defendant) is responsible for illegal constructions at a green public area, resulting in the violation of the right to live and to rest in a healthy environment and to participate in environment-related decision-making processes as  stated by the  Constitution of the Co-claimants, International Conventions and RA Legislation.

The verdict will be announced on March 16, at 15:00.

The project “Socialism Failed, Capitalism is Bankrupt. What comes Next?” focuses on the political and economic situation in the Republic of Armenia, one of the successor states of the Soviet Union. The project materializes in two different formats: The short film, “Socialism Failed, Capitalism is Bankrupt. What comes Next?” (19 min., 2010), and a 2-channel video installation that will be accomplished by a photo-based floor piece.

The film “Socialism Failed, Capitalism is Bankrupt. What comes Next?” was recorded in summer 2010 in Yerevan’s largest bazaar, called “Bangladesh”. Every day more than 1000 people try to survive as traders in the “Bangladesh” bazaar, where an average vendor does not earn more than 100 to 250 Euros per month. In the film, the market’s traders talk about their struggles to survive during crises in a post-socialist state that closed most Soviet-era factories and dissolved social safety nets. The market’s traders, primarily former factory-workers, describe how their living conditions worsened after the end of the Soviet Union; they speak about their hopes and expectations for social change. While they live in misery, a small but highly influential class of corrupt politicians and super-rich oligarchs team up with international corporations in order to fill their pockets with profits from transferring state property and licenses for mining.

A former mathematics professor Levon Yeremyan, who now survives by trading in the “Bangladesh” bazaar, notes, “95 per cent of people work and get the minimum wage, which is ridiculously low by European standards, and 5 per cent live like Arab sheikhs.” Most people would definitely agree with his description of the wide gap between the impoverished masses and the oligarchs in Armenia. This deep divide contradicts the official flattering data.

The project also produced a photo-based floor piece with three-meter diameter in the shape of Armenia; the floor piece provides an illustration of this extremely uneven distribution of wealth.

In the 2-channel video installation, the “Bangladesh” video is combined with a (silent) video, which focuses on former Soviet factories in Yerevan that were shut down or produce at reduced capacity or were transformed into something else. Each factory was filmed with a single shot of 20 seconds, followed by information that includes the factory’s name, what it produced, when it closed, the current owner and the new utilization.

• Concept, camera, sound recording, video editing and production: Oliver Ressler
• Interviews, translation and editing assistance: Arpineh Galfayan
• Audio mix and color correction: Rudi Gottsberger
• Research on factories: Nora Galfayan, Vahe Budumyan

Landscape Garden – Gohar Karapetyan and David Nubaryan, HBH, Faculty of Fine Arts
Your Wicked City- Sahak Boghossian
Citizens of Empty Space – Utopiana’s collaboration with Laps, a Swiss group of artists